JOURNAL

Podcast Emily Dibblee Podcast Emily Dibblee

Introducing "IN THE GALLERY"

Listen to the gallery’s first episode of our new podcast “In the Gallery.” The inaugural episode is a conversation between Melannie Chard, founder and director of the gallery, and Meighen Jackson, a visual artist in her own right, wife of the late photographer Bill Jackson.

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Figuratively Dreaming Written Up in Detroit Art Review

The paintings by Marcia Freedman and Ani Garabedian in Figuratively Dreamingpresent a current interpretation and exploration of a genre that is versed and familiar but still evolving. Abstract painting rose from a multi-century evolution that moved away from the realistic religion-based storytelling of the Italian Renaissance through the French Impressionists and on to schools of thought like Dada.

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DETROIT METRO TIMES // Detroit photographer Kenny Karpov captures the despair and hope of Europe's refugee crisis

For his latest solo exhibition, Detroit photographer Kenny Karpov took to the Mediterranean Sea for a closer look at Europe's refugee crisis.

Many of the photos show Black bodies packed onto ship decks, calling to mind a modern-day slave ship. What gets lost in the mainstream media narrative of the refugees, Karpov believes, is that any of the African and Middle Eastern refugees are in fact fleeing the horrors of modern-day slavery, human trafficking, famine, and war.

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THE OAKLAND PRESS // Detroit photographer exhibits emotional photos, stories of refugees

Looking through his lens, photographer Kenny Karpov tries to capture who people truly are — their expressions, their bodies and the light in their eyes. His emotional portraits, paired with written work, tell their stories.

In Karpov’s latest project, the book “Despite It All We Never Learn,” he tells the stories of refugees, the real people going through travails on a journey toward better and safer lives.

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DETROIT FREE PRESS // Why it's a breakout fall for the Detroit creators known as Vanguard Artist Collective

The Vanguard Artist Collective is a semi-formal nod to pioneering Chicago-based black art collectives like the Organization of Black American Culture and AfriCOBRA, which were founded during the civil rights movement of the 1960s.

“We push each other to be better artists and better people — even when it’s critical,” says Rucker.

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